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Veera Kulju in AfterGlow – New Nordic Porcelain

When Europeans started manufacturing porcelain in the 18th and 19th centuries, the patterns imitated blue and white Chinese porcelain. The products offered by Nordic porcelain manufacturers were not markedly different from those of other manufacturers. But over time, manufacturers began to employ in-house artists and engravers, and the decoration took on a local flavour, often inspired by Scandinavian nature. Nowadays, most manufacturing takes place outside the Nordic countries, while the patterns and designs are increasingly targeted at an international audience.

In a pan-Nordic collaboration project, 13 ceramicists from Sweden, Finland, Norway and Denmark were invited to create an exhibition. Ahead of the project, the ceramicists took part in masterclasses, workshops, artist residencies and study visits to various museums. They shared their technical and artistic experience with one another, leading to a dialogue between artists and aesthetics transcending national and temporal boundaries. The collections of the Nordic porcelain museums served as a sounding board for the artistic process. In the afterglow of the porcelain industry’s proud history, new designs took shape in places where the kilns were fired up for centuries. The resulting exhibition, AfterGlow, is a multifaceted contemporary perspective and reflection on the historical significance, artistic potential and present-day relevance of porcelain.

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